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Jan Van Eyck
The Arnolfini Portrait
mk156
1434
Oil on oak panel
82.2x60cm
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Jan Van Eyck
Portrait of Jan de Leeuw
mk156
1436
Oil on panel
25x19cm
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Jan Van Eyck
Crucifixion ofChrist
mk157
Wood
45x30cm
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Jan Van Eyck
Madonna of chancellor Rolin
MK169
ca.1433-34 oil Paint on panel 66x61.9cm
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Jan Van Eyck
Adam and Eva
MK169
voltooid in 1432 Tempered and oil paint on panel each panel 204x32cm
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Jan Van Eyck
The Ghent altar piece voltooid
MK169
1432 Tempered and oil paint on panel ca.335x229cm
St. Bavo. Ghent
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Jan Van Eyck
The Ghent altaarstuck
MK169
voltooid 1432 Tempered and oil paint on panel ca.335x229cm St. Bavo. Ghent
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Jan Van Eyck
Portrait of a Young Man
mk170
Oil on oak
33.3x18.9cm
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Jan Van Eyck
Organ from The Ghent Altarpiece
mk176
1432
tempera and oil on wood
11x7.3
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Jan Van Eyck
The Ghent Altarpiece
mk176
1432
tempera and oil on wood
11x7.3in
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Jan Van Eyck
Giovanni Arnolfini and his Bride
mk176
1434
tempera and oil on wood
32x22in
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Jan Van Eyck
Johannes of the evangelist
mk186
1432 Ghent cathedral Sint-Baafs
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Jan Van Eyck
Detail of Betrothal of the Arnolfinis
mk191
Dog look on the frontage
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Jan Van Eyck
Giovanna Cenami and Giovanni Arnolfini
mk198
82x60cm
Nation Gallery,London
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Jan Van Eyck
The Italian kopmannen Arnolfini and his youngest wife some nygifta in home in Brugge
mk201
This detailed and verklighetstrongna portrait millings 1434 of the nederlandske konstnaren Jan motor van Eyck
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Jan Van Eyck
Lamb worship
mk234
completed 1432
135x235cm
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Jan Van Eyck
Bebadelsen
mk234
ca 1434/36
92x37cm
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Jan Van Eyck
The couple Arnolfinis brollop
mk234
1434
82x60cm
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Jan Van Eyck
Betrothal of the Arnolfinis
mk191
1434
Painting on the oak board
84.5x62.5cm
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Jan Van Eyck
Ghent Altarpiece
mk247
1432,oil on wood 138x181.5 in,350x461 cm(open),saint bavo cathedral,ghent,belgium
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| Jan Van Eyck
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1395-1441
Flemish
Jan Van Eyck Locations
Painter and illuminator, brother of Hubert van Eyck.
According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d Heere, Jan trained with his brother Hubert. Pietro Summonte assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of Master, working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege. Jan became the court official painter and was paid, with a second assistant when the work increased in 1423, continuously, probably until the count death in January 1425.
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